Eye of the Giant
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Virgin Publishing Eye of the Giant |
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| Author | Christopher Bulis |  |
| ISBN# | 0 426 20469 7 | |
| Published | 1996 | |
| Continuity | Between Inferno
and Terror of the Autons |
| Synopsis: The Doctor's attempt to identify a mysterious artificact lead him to a a desert island, where he becomes trapped 40 years in the past. Meanwhile, a rash of UFO sightings puts UNIT on the alert. |
A Review by Sean Gaffney 24/8/99
Pretty damn good book. Not as good as Sorceror's Apprentice, but it's no Shadowmind, either.
Plot: Fiendish, perhaps the main reason to read the book. It's got one of those classic fifth episode "Whoops, something completely different has now gone horribly wrong!" type dealies.
Doctor: Very Pertwee-ish, in a good way. He doesn't get a lot of action, but he gets to do a lot of science. And relatively little patronizing.
Liz: OK, if a little underwritten.
UNIT: The Brig is great, Mike is very well done, and Benton is Benton. I like the Osgood bits, too. He really is useless, isn't he?
Others: Nancy is a pretty lousy villain, but then she would be. I kept hearing Sandra Dickinson reading those lnes. Amelia is almost too good to be true. The others were pretty interchangeable.
Overall: Pretty good, but I'm not wild over it. 7/10.
A Review by Stuart Gutteridge 30/3/01
What you get with The Eye Of The Giant is a great read, and another winner from Chris Bulis.
PLOT: The Doctor is trapped in the past, somewhere that doesn`t exist. There`s something B-movieish about the scenes on the island complete with a film crew. And this is part of its charm.
THE DOCTOR: Better with the scientific stuff than anything else; but then he doesn`t get too much action.
COMPANION: Similairly Liz doesn`t do a lot, but she serves her purpose, and any book with Liz Shaw is an added bonus for me.
UNIT: All present and correct, the Brigadier`s great, Benton is functional, Osgood is stupid, and Mike Yates is well catered for, even getting a promotion (if my memory serves me correctly).
OTHERS: The film crew are stereotypical. There's the scheming stepdaughter, bickering relatives. It could be from a soap opera.
OVERALL: There's little to fault, the movie references are clever, the Doctor`s feeling of being trapped is exploited more than ever because of his exile and even the Time/Space Visualiser makes a comeback. Perfectly Pertwee. 9/10.
A Review by Brian May 3/2/04
The Eye of the Giant is one of those annoying middling adventures that alternates between being boring and being a complete mess. Despite an engaging middle, and some interesting ideas, Christopher Bulis's stab at early Pertwee fails to grip the reader.
Firstly, while Bulis captures the essence of the third Doctor/Liz Shaw/UNIT quite well, he misses entirely in recreating the dark, gritty atmosphere of the televised season seven. The attempt to avoid 20th century Earth as the sole location doesn't work either. The use of the time-space visualiser to travel through time seems a bit forced and incongruous - Bulis wants to have his cake and eat it too by writing Who at this point in its history and travelling to a different period. "Oh, let's just take a forgotten instrument from the Hartnell years and travel backwards in time using that!" the author seems to have thought. It just seems forced. Of course, the third Doctor visits Earth in different dimensions or time periods, independent of the Time Lords' influence (Inferno, Day of the Daleks), but those incidents are actually logical progressions of the respective stories' narratives - they're not simply used to create the story, which is what happens here (yes I know, the story is precipitated by the discovery of the artefact in the shark, but it's evident from the top that Bulis plans to use the TSV to get things going).
Nevertheless, as I mentioned before, the UNIT arrangement is realised quite successfully. The Brigadier and Benton come across well, as does Osgood, who actually feels like he's been part of UNIT for a long time (as he does in The Daemons, his only televised appearance). Mike Yates's personality traits are convincingly reproduced in print - but why make him a sergeant? This just seems like another contrivance. If Yates is a sergeant at this point, how does he get promoted to captain so quickly? Anyway, the televised character is such a public school, rugby playing ponce of an upper-class twit, it's obvious he went straight into officer training from Eton, or wherever.
Okay, with his grievance out of the way, let me start on another. The first part of the story is just so boring* Especially so regarding the crew of the Constitution. It's a boat full of cliches: fading movie starlet; lecherous and alcoholic lead actor; obsessed German scientist (how many Sternberg's have cropped up in Doctor Who?). Amelia doesn't quite work. Despite her religious devotion, nobody can be this perfect. The build-up with these characters - their arrival on the island, their encounters with the gigantic life forms and the sea tanks, Amelia's separation - is incredibly tedious. There's way too much description, especially the battles with the crabs, ants and bats. Bulis doesn't seem to be able to write action scenes too well (but he's not the only one, a la Ben Aaronovitch in Transit, Jim Mortimore in Blood Heat). Yates and Amelia's travails in the pit are just as plodding. It's only the sighting of the UFOs happening back at UNIT that insinuates anything exciting - it indicates that something else will happen soon, so we're just going to have to hold on!
It's not until the Brokk begins to revive that there is any real action or excitement. Brokk is perhaps the best thing in this story. He belongs to an original and interesting alien race; his thought patterns are excellently portrayed, as is the way he interprets the alien world around him. The whole concept of the ampules, and the loss of one which enlarged everything on Salutua, is absorbing. The pages are actually worth turning here! The imminent eruption of the volcano gives a much needed race-against-time element to the tale.
Wow, I thought! It's actually getting quite exciting! A story that actually improves as it progresses! And there's the UFO's to come! Chapter 17 has a large climactic feel - Brokk's ship takes off, the Constitution crew make it safely back to the ship and sail away, the Doctor and UNIT team make their way back to the present. As Sean Gaffney points out in his review, a real "fifth episode" plot twist is evident, although it's a bit of a giveaway when you're holding the book and know there's about 80 pages left! We know the sub-plot of the UFOs, which Bulis has cleverly kept to a minimum, in order to tantalise the reader into further anticipation, will come into its element in this final section.
And it does so quite superbly. The "fifth episode" is quite bizarre and disconcerting. We're all meant to think the Constitution crew take no further part in the adventure - but the short chapter 18 indicates this is not so. The notion that it's one of the crew that is affecting what is now happening in the late 20th century is fascinating, but before you can say "not another flipping time paradox", the whole thing turns silly.
Not the concept of the time paradox. That's excellent. But this feels like a remake of Back to the Future part II - the new, readjusted timelines in which Nancy becomes a virtual god, echoes the Biff Tannen empire of 1985. Were Nancy's ambitions that grand? The whole thing with the Sisters is rather silly as well. And the climax, with Marty and the Doc... oops, the Doctor and UNIT team, returning to the Constitution in the 1930s to readjust things, is not very exciting. It's too action oriented and very tired.
There are some good elements to The Eye of the Giant, which mainly occur in the middle. Otherwise it's surrounded by contrived boredom, or contrived silliness. Christopher Bulis knows his Doctor, Liz and UNIT characters, but doesn't do much justice to the series' history at this point. It's not the worst missing adventure I've read, but it's certainly not the best. 5/10
A Haiku by Finn Clark Updated 3/5/20
World Distributors
Brain-dead and resurrected
By Bulis. (It's fun.)
A Review by Andrew McCaffrey 21/1/05
The reason I enjoyed The Eye of the Giant is almost certainly because I saw the name on the cover and adjusted my expectations accordingly. I knew to expect readable prose, shallow-to-middling characterizations, a straightforward plot and not much in the way of surprises. That's what I expected, and that's what I got. And I liked it. It won't win any awards, but if you're looking for something that just entertains, you could do a lot worse.
"I could imagine this one actually being filmed in the 1970s" is often used as a complaint about a book that hasn't reached the full potential that the written word offers. Yet while that statement is applicable here, I don't see it as a disadvantage on this occasion. The Eye of the Giant invokes the spirit of the era without rehashing the same material.
There's not really much to talk about here. The plot is adequate, not being overly flashy, fancy, complicated or deep. However, I'll give it a lot of credit for being entertaining, which I expect is all the author was attempting. Of course, on the downside, there's a couple of really odd false endings, where it seems that the story has ended and then it jerks to life unconvincingly like a dead celebrity reanimated for a beer commercial. The book would have been a lot stronger had these additions to the end been removed.
On the subject of the book's cast, well, let me say that I doubt whether Bulis has ever written an entirely three-dimensional character in his life. But he's written much worse caricatures before, and his original characters here perform their functions adequately. His depiction of the UNIT cast as it existed in the show's seventh season I found surprisingly effective. He doesn't provide any superior insights into the era, but he does invoke it well with very few paint-strokes.
It gets a little fanwanky at times (Captain Yates first meets the Doctor), but overall I enjoyed this one. I may not remember many details about it a year from now, yet for the few days it took me to plow through it, I cannot deny that I was having a good time.
When is a Season 7 story not a Season 7 story? by Matthew Kresal 11/1/24
Season 7, those four glorious serials broadcast in the early months of 1970,continue to hold a special place in the hearts of Doctor Who fans. Something that remains in evidence from the wealth of novels and audio dramas set during it. Works that all seek to recapture its ethos. Some more so than others, as this 1996 novel from Christopher Bulis proves.
On the surface, The Eye of the Giant (what a suitably evocative Pertwee-era title!) has Season 7 written all over it. An exiled Doctor working on theTARIDS with Liz Shaw, for starters. There's UNIT, with the Brigadier and Benton joined by a Sergeant Mike Yates returning from the field. And, along the way, Bulis tossing in references to various serials from that season, including some quick cameos from General Scobie.
But, throughout, other elements creep in. The Brigadier bringing to theDoctor and Liz a McGuffin that ties into an eventual mystery forty(ish) years in the past that comes to impact the present. Bulis using that as away to circumvent Season 7's Earthbound status as later Pertwee seasonwriters would pre-Three Doctors. One that allows various characters to encounter others from a 1930s ship on a deserted island, not unlike Carnival of Monsters. Not to mention the appearances of UNIT characters introduced in Season 8 such as Bell and Osgood (no, not THAT Osgood).
What's going on here?
The short answer: Bulis is trying to have his Pertwee cake and eat it, too.The Eye of the Giant is a novel set in the gap between Season 7 and 8, a watershed moment in the series' history. One that, as I mentioned when reviewing Inferno, marked the end of more adult-oriented Doctor Who with moral ambiguity and the beginning of the action-adventure format that's more associated with the Pertwee era. By combining elements from both, Bulis offers up a transitional story. One that should work, combining the settings and characterizations of Season 7 with the action-adventure elements of later seasons.
But does it?
On the characterization and setting front, without a question. The UNIT family is a blended one, combining characters from across two seasons, and it works. Everyone feels present and correct, from the Doctor tinkering with the TARDIS console to a resourceful Liz and the more defined Brigadier. Even the likes of Benton and Yates feel present, the latter more of the younger man of action he started out as. The references and odd cameo connected to Season 7 grounds the story, as well. There are moments when it feels like finding some lost story from 1970.
Until it doesn't. While Liz is most definitely Liz, what she does plotwise feels more akin to Jo Grant, getting into scrapes rather than solving problems. The island plotline, with its tale of assorted characters and giant creatures, has that later Pertwee feel to it. One can imagine the crabs and spiders, for example, realized in (not so) glorious CSO. Which is, notionally, fine, except that it's hard not to have the feeling that they're out of place in a novel set during Season 7. And the eventual, inevitable answer of "aliens" feels like a retread of a subplot of Justin Richards' earlier System Shock a handful of novels before this one. None of which is fatal, though it undermines the effort Bulis put into grounding this as a Season 7 tale elsewhere.
That's without mentioning the closing chapters of the novel. Ones that emulates the six-parter structure of Classic Who with the novel equivalent what Anthony Read called a dog leg, a further plot to get the story to stretch out. Season 7 had that, too, with Silurians featuring a plague and Inferno its famous parallel world. Bulis tries to go for something like the latter here, tossing in an alternate timeline of his own to tie the various strands of the novel together and raise the stakes. Instead, it comes across as undercooked, in part due to the throwaway nature of its set-up and the technobabble explanation for why it's only occurred at that point in the plot. Add on which character it becomes centered around, and you have a decent enough read undermined by a weak closing act.
Set between contrasting moments of the Pertwee era, The Eye of the Gianttries to be the transitional story we never received on-screen. A Missing Adventure in the very literal sense of the range's title, bridging eras within an era. In that, it doesn't quite succeed. Bulis still crafts a fun read, but one that landed off-target, similar to its Doctor eventually a couple of seasons later.
Giant Crabs that Have Nothing to Do with the Macra by Jacob Licklider 5/11/24
Thus far in the Missing Adventiures, the Third Doctor has had two novels devoted to him: the first being The Ghosts of N-Space, which was awful, and the second was the brilliant Dancing the Code. It's interesting to see the third Virgin Missing Adventure of the third Doctor make a welcome return to Season 7 to continue the exile on Earth and get back to working with Liz Shaw as the companion in an adventure set in the genre of hard science fiction. The Eye of the Giant sees the Doctor, Liz and Sergeant Mike Yates sent through a time corridor to an island where, thirty years previous, a yacht carrying a film crew disappeared from time and there are giant creatures roaming around because of an alien crash. Christopher Bulis' fourth novel has the tone of a story from Season Seven down to a tee with the UNIT family coming together. Liz Shaw, while being captured by the aliens once in the novel, is just as proactive as the Doctor, and the experiments on the TARDIS are partially the cause of the problem. It's extremely interesting to read the novel as even the biggest flaw of the ending --- which, let's be honest, goes on way too much of a tangent, making Nancy Grover a demigod and having her rule the world through mist because Bulis is trying to make a message about vanity or something --- isn't all that bad. It still is an ending that is especially easy to read, and I finished it in a day.
Bulis is great at capturing the transition in between the relationship of the Doctor and the Brigadier after Inferno and before Terror of the Autons. The Brigadier has had his eyes opened even more since Inferno, which served as a real catharsis for the character, as he and the Doctor finally buried the hatchet after the rather rocky start as seen in Season Seven. The two characters really reach an understanding, as the Doctor is given full command of the expedition through the temporal anomaly, with the Brigadier holding down the fort at UNIT until the focus is brought back onto the Earth for the lackluster finale. The novel also introduces the character of Mike Yates who at the time the novel is set is still a Sergeant, along with Sergeant Benton. The cover prominently features Yates acting as if he will be a main character, but really his role could have been accommodated with Benton in the role, as he is more of a gentleman, while Yates is really nothing like that. Sure he's a nice guy in the series, but the gentleman of UNIT is Sergeant Benton. Bulis does, however, give a little backstory as to how Yates took the news that aliens exist, which is a very interesting idea as how do you get people to come around to aliens when their mind is hardwired to military way of running things, which is at odds with the bizarre nature of aliens. Osgood from The Daemons also makes an appearance here, where he somehow has even less characterization than in that original story.
The crew of the film featured in this novel is almost a snapshot into the society of the 1930s' film industry. They're all working off a very loose script and getting shots that will tie in with the finished product, not really caring if it will make sense. Their only care is that it will look good in the end when it gets to the theaters and that their secret island isn't discovered until they are finished with it. Nancy Grover, who becomes the main villain of the story by the end, is the typical diva and prima donna, as it is going to be her way or the highway. Liz Shaw is also really good in the novel, as she is portrayed straight out of Season Seven. I can just imagine Caroline John being in the part, as she is extremely snarky to Jon Pertwee's egotistical Doctor. It leaps right off the page, and something great really happens as you realize just how good their relationship was on television and what we were really missing when Caroline John sadly left the series after only one season.
To summarize, The Eye of the Giant is a great novel overall, as it deals with a very standard sort of adventure that was from the era of Season Seven. It has a few glaring flaws in the fact that Yates is prominently featured on the cover, Osgood appears in really a way that doesn't do anything to add much depth to the character and the last fourth of the novel goes and rips off Inferno with a parallel timeline bleeding through. Nancy Grover is a great character until the end where she becomes a demigod who just wants attention which is weird. 83/100